Joshua Dudley Greer
Joshua Dudley Greer, Coachella, California, 2014
Joshua Dudley Greer, Interstate 26, near Mars Hill, North Carolina, 2013
Joshua Dudley Greer, Green River, Wyoming, 2013
Joshua Dudley Greer, Interstate 83, Baltimore, Maryland, 2014
Joshua Dudley Greer, Barstow, California, 2017
Joshua Dudley Greer, Interstates 30 and 35, Dallas, Texas, 2016
Joshua Dudley Greer, Elkview, West Virginia, 2016
Joshua Dudley Greer, Los Angeles, California, 2017
Joshua Dudley Greer, Interstate 5, near Grapevine, California, 2014
Joshua Dudley Greer, Interstate H1, near Honolulu, Hawaii, 2017
Joshua Dudley Greer, Interstate 70, near Salina, Kansas, 2014
Joshua Dudley Greer, Interstate 75, near Lenox, Georgia, 2014
Joshua Dudley Greer, Lewiston, Idaho, 2015
Joshua Dudley Greer, Mill City, Nevada, 2015
Joshua Dudley Greer, U.S. Highway 90, New Orleans, Louisiana, 2015
Joshua Dudley Greer, Page, Arizona, 2013
Joshua Dudley Greer, Near Bozeman, Montana, 2015
Joshua Dudley Greer, U.S. Highway 80, between Selma and Montgomery, Alabama, 2015
Joshua Dudley Greer, CA Highway 58, near Tehachapi, California, 2017
Installation view
Image courtesy of Yuyang Zhang
Installation view
Image courtesy of Yuyang Zhang
Installation view
Image courtesy of Yuyang Zhang
Installation view
Image courtesy of Yuyang Zhang
Installation view
Image courtesy of Yuyang Zhang
Somewhere Along the Line
June 3–26, 2021
Artist talk: Thursday, June 24, 5:00 PM PDT
From 2011 to 2017 Joshua Dudley Greer traveled over 100,000 miles by car, focusing his camera on the massive network of superhighways that has become ubiquitous throughout the United States. Rather than moving quickly through these spaces he made the decision to slowly and deliberately dwell within them, looking at the road as a stage where narratives play out and opposing forces often intersect. The boundaries that line these roadways, whether real or imagined, are examined by looking at the separations between public and private space, privilege and need, the individual and the collective, and the countervailing ideas of home and escape.
The resulting compilation of photographs depicts the state of America’s infrastructure as a physical manifestation of its economic, social and environmental circumstances in unforeseen moments of humor, pathos and humanity.
Joshua Dudley Greer (b. 1980 Hazleton, PA) is a photographer based in Atlanta, GA where he teaches at Georgia State University. His work has appeared in The California Sunday Magazine, The Atlantic, PDN, Le Monde, The Georgia Review, GUP Magazine and Oxford American. He has received grants from the Maryland State Arts Council, Tennessee Arts Commission and the Aaron Siskind Foundation. His work can be found in the permanent collections of the Harvard Art Museums, the Museum of Contemporary Photography, the Ogden Museum of Southern Art, the New York Public Library, the Do Good Fund and the High Museum of Art.